And therein lies a cultural shift that culminates in the reasonably diverting but curiously defanged remake of the jailhouse-gridiron underdog saga we have now before us: In studio comedies and urban entertainments — even those that claim to rebel against the system, stick it to the power, and detonate the bombs of racial bigotry — we are living in the age of the PG Sandler Man, intrinsically nice team player, rather than the R-rated Reynolds Man, potentially dangerous lone fox. Now as then, Crewe starts off as a drink-sloshed has-been, a washed-up former Sports Somebody who, when we first meet him, dumps his rich-bitch girlfriend, steals her fancy car, and leads cops on a wild high-speed chase. The fundamental things applied too in the bone-cruncher British remake, Mean Machine , starring anvil-headed soccer star Vinnie Jones. And oddly, the new version skews neutral despite the featured participation of the always usefully mouthy Chris Rock as the wily prison fixer known only as Caretaker a role originated by Jim Hampton. Each joke and one-liner is a made-for-HBO zinger, each scene with Sandler a reaffirmation of the old friendship between the two successful SNL alums, now celebrating their success with a big-ticket comedy in which getting smashed in the crotch is as good as a handshake. The Longest Yard. FB Twitter ellipsis More.
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