She rises from the depths like the Venus of the San Fernando Valley—slicked hair glistening, water dripping from her smiling lipps, dark eyes glittering with libidinal mischief. Then—in a scene that will forever grant an otherwise incomprehensible erotic aura to the Cars—the new-wave chestnut "Moving in Stereo" kicks in as Phoebe Cates begins her slo-mo poolside strut. And boy, do they move in stereo, those pert, secondary sexual characteristics of teenage Phoebe Cates, as—in one breathtaking gesture—she frees her frisky buds from their front-fastening red bikini top to quiver in the balletic perfection of Judge Reinhold's furtive spank dream. The boob shot would soon become stock-in-trade of the Porky's epoch, but it would never be used to such weighty narrative effect. Here, hooters star in a compressed version of the male adolescent's tragic arc: from the soaring heights of erotic fantasia to the bleak depths of sexual humiliation, as the sleek naiad of Reinhold's imaginings actually walks in on him log-flogging to her image. The cable arts channel Bravo included this scene in its Sexiest Moments in Film —in which the model-pundit Roshumba Williams helpfully explained, "In the male world, boobs are huge.
Daisy was no genius. I already knew that, but her friends were no smarter. Several had asked me to explain words that I had used in conversationwords that any college student should have known in my opinion.
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